Thaddeus Mosley

Thaddeus Mosleys monumental freestanding sculptures are crafted with the felled trees of Pittsburghs urban canopy, via the citys Forestry Division; wood from local sawmills; and reclaimed building materials. With influences ranging from Isamu Noguchi to Constantin Brncui and the Bamum, Dogon, Baoul, Senufo, Dan, and Mossi works of his personal collection Mosleys sculptures mark an inflection point in the history of American abstraction.

‘My woods and stones and I generate themes together,’ Mosley says. These ‘sculptural improvisations,’ as he calls them, exercise a rhythmic abstraction, informed by the modernist tradition of jazz. Mosley carves with the spontaneity of a jazz composer: each fissure and groove in his hewed compositions represents an almost-audible warble. He frequently sculpts as an ekphrastic response to music.

312 pages, 18.4 x 22.9 cm, hardcover, KARMA (New York).